Robert Hughes (1938–2012) was an acclaimed Australian-born art critic, historian, and author, best known for his provocative and influential writings on art and culture. Educated at the University of Sydney, he moved to London in 1964 before settling in New York in 1970, where he became the chief art critic for Time magazine for over thirty years. Hughes was celebrated for his immense knowledge, sharp wit, and eloquent prose, often challenging conventional wisdom in the art world. His seminal work, 'The Shock of the New,' accompanied a landmark BBC television series, democratizing art history for a wide audience. He also penned 'The Fatal Shore,' a monumental history of Australia's penal colony origins, which won widespread critical acclaim. Hughes’s fearless intellect and ability to connect art to broader societal issues cemented his reputation as one of the most significant cultural commentators of his era. He was a master of accessible yet profound analysis, making complex subjects engaging and understandable.
«The art market is like a big, unregulated casino.»
«The greater the artist, the greater the doubt. Perfect confidence is granted to the less talented as a consolation prize.»
«Australia is a country of shamefaced beauty. Her light has no comparison; her landscape is a rebuke to the eye that seeks a European picturesque.»
Robert Hughes's writing style is characterized by its intellectual rigor, passionate engagement, and vivid, often polemical, prose. He combined erudition with accessibility, using evocative language, historical context, and a distinctive wit to convey his strong opinions. His sentences were often long and complex but always clear and precise, reflecting a deep command of language. He was known for his eloquent denunciations of artistic pretension and market manipulation, making his criticism both incisive and highly entertaining. His style was forceful, analytical, and deeply personal, imbued with a powerful moral conviction.