Ayobami Adebayo is an acclaimed Nigerian novelist, born in Lagos in 1988. She holds an MA in Creative Writing from the University of East Anglia, where she studied under Giles Foden, and also earned an MA in Literature in English from Obafemi Awolowo University. Her debut novel, "Stay With Me" (2017), was a breakout success, earning critical acclaim and longlisting for prestigious awards like the Baileys Women's Prize for Fiction and the Wellcome Book Prize. The novel masterfully explores the complexities of marriage, infertility, and cultural pressures in 1980s Nigeria, told through the alternating perspectives of a young couple. Adebayo's writing is characterized by its lyrical prose, deep psychological insight, and keen observation of societal norms and individual struggles. She has also contributed to various anthologies and journals, showcasing her versatility. Her second novel, "A Spell of Good Things" (2023), further cemented her reputation, delving into themes of class disparity, ambition, and the fragility of life in contemporary Nigeria. Adebayo is celebrated for her ability to craft compelling, character-driven narratives that offer a nuanced look at the human condition within a distinctly African context, often blending personal drama with broader social commentary. She has been a recipient of numerous fellowships and awards, solidifying her place as a significant voice in modern African literature.
«A child is a child. Not a boy. Not a girl. Just a child. That is what I wanted, my husband. A child.»
«There are two kinds of suffering. The suffering of the mind, which is when you worry and hope and dread, and the suffering of the body, which is when you hurt. I had both.»
«Stories are not things that happen, stories are things that are told.»
Adebayo's writing style is distinguished by its lyrical and evocative prose, deep psychological introspection, and character-driven narratives. She often employs alternating perspectives to offer multifaceted views of her characters' lives and struggles. Her work is marked by a poignant realism, richly detailed sensory descriptions, and a keen focus on socio-cultural dynamics within Nigerian society, blending personal drama with incisive social commentary.