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Bentley Little

en
Mesa, Arizona, USA
Born 1960

Biography

Bentley Little is an American horror writer renowned for his prolific output and distinctive style of societal and surreal horror. Born on October 2, 1960, in Mesa, Arizona, Little embarked on his literary journey by publishing short stories in the late 1980s. He rose to prominence with his debut novel, "The Revelation," which earned him a Bram Stoker Award in 1990. His work often serves as a biting critique of consumerism, bureaucracy, and suburban complacency, masterfully infusing everyday settings with supernatural dread and existential terror. Little is celebrated for his ability to craft deeply unsettling narratives that expose the dark underbelly of seemingly ordinary life, frequently escalating to grotesque and apocalyptic conclusions, cementing his place as a significant voice in contemporary horror literature.

Selected Thoughts

«The truth was, the world wasn't a place of good guys and bad guys, of heroes and villains. It was a place where people made choices, some good, some bad, and the consequences of those choices were usually far-reaching and unintended.»

«Little builds his monsters out of the everyday world, out of things like suburbia and school and the government.»

«The house wasn't evil. It was a conduit for evil. A place where evil could manifest itself, like a stage.»

Writing Style

Little's writing style is characterized by its directness, often employing a detached, almost journalistic tone that amplifies the absurdity and horror of his scenarios. He frequently uses satire and dark humor to underscore his social critiques, crafting narratives that are typically fast-paced and escalate quickly from mundane unease to full-blown supernatural catastrophe. His work often features grotesque imagery and disturbing situations, building dread through the slow corruption of ordinary life and focusing on psychological and societal decay rather than conventional jump scares.

Key Themes

Societal decay and corruptionCritique of consumerism and bureaucracySuburban horror and the dark side of AmericanaThe intrusion of the supernatural into the mundaneExistential dread and cosmic horror